Pastoral Concert |
The works upon which his fame most securely rests are the Concert, in the Louvre, probably one of his last paintings, and the Dresden Sleeping Venus, which was the original on which Titian's renowned Uffizi Venus and many others were based. Giorgione learned the fundamentals of his art from his great master, but he was probably the first of the Venetians to liberate painting from all traces of primitive formalism, and to make new discoveries in realistic modeling and drawing, in composition, and particularly in richness of coloring, which were eagerly seized upon by Titian and other Venetian painters of the full flower of the Renaissance.